A marimba note being struck while thrown in to the air. Can't remember the mic that was used but it was a condensor mic. This was recorded in my room so unfortunately the signal to ambient noise ratio isn't great. The sound can be used for free (though it would be great to hear about what you do with it). It may not be re-distributed as it is, or as part of a compiled sound library.
The range of a Jew's harp as string harmonics:“By using the cavity of the mouth as a resonator, each harmonic in succession can be isolated and reinforced, giving the instrument the compass shown. The lower harmonics of the series cannot be obtained, owing to the limited capacity of the resonating cavity. The black notes on the stave show the scale which may be produced by using two harps, one tuned a fourth above the other.” This file plays harmonics 4, 5, 6, 7, 8, 9, 10, 11, and 12.
A flash thunderstorm in queensland came about randomly in the afternoon and i thought it would be cool to recorded it. I recorded it under an awning since i didn't want to get the recorder wet and the awning was acting a little like a wind tunnel so there's these high pitch wind noises too. Plus thunder in the background. Was recorded on a zoom h5. With the limiter turned on. Forgot to turn it off since it was spur of the moment.
This is the original 8-second drum loop that i ran through akaizer for my "sci-fi ambient drone" upload. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. I took a quick 8-second drum loop from my teenage engineering po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. This program is based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise. As you can hear from my other uploads, the results are so different it's almost unrecognizable. Definitely worth trying yourself!.
This is the unprocessed version of my "sci-fi ambient drone" upload. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. I took a quick 8-second drum loop from my teenage engineering po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. This program is based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Enjoy :).
It's a shopping cart on a gravel lot, but the pitch reminds me of some kind of old machine running or getting going. Please let me know if you like the sound and what would improve it, so i can share better sounds in the future. If you like what you hear, check out my boyfriend and i on youtube, we do a channel based on florida, usa. Https://www. Youtube. Com/channel/uc-vcld4dce154hcigmpidha.
Diboz throws a piano at his annoyingly ticking watch, which is ruining his sense of timing. Created in flstudio 11 with lightly tweaked flkeys, flreverb2, jangly (almost tubular bells) wasp xt layers and a pitch bent formant for a bit of spookiness. The ticking noise and deep notes were generated by fiddling with morphine's presets. Caution: look at the waveform. Don't turn up the wick. This piece starts quietly but there's a sudden, loud, jump scare.
The mechanical noise and signature "chord" associated with the "mac mini (2010 model)" upon startup/boot. Brief mechanical motor and clicking noises followed by the famed sustained f sharp major chord (detuned 30 cents flat) being projected over low quality, built-in speakers. Mechanical noise has defined pitch and is predominantly in the mid-high frequencies. Recorded on zoom h2n, in small, empty room. Audio clip normalized in post-processing.
I was trying to make a subtle beat in the background of a song and turned up the cutoff and got this. It sounds like a robot frog to me, and i figured i might as well post it in case someone gets any use out of it. Changes pitch every four bars. 100 bpm.
A recording of a backroom with the extractor fans running, the audio is low in pitch and can be used in instances like machinery rooms, all of my sounds come uncompressed or processed. This means there may be unwanted background noise/ sound that you can remove or not at your will. Equipment used:. Tascam dr40 w/ built in stereo microphone. File information:48,000hz24bit wavstereo.
A recording of a backroom with the extractor fans running, the audio is high in pitch/frequency and can be used in instances like machinery rooms, all of my sounds come uncompressed or processed. This means there may be unwanted background noise/ sound that you can remove or not at your will. Equipment used:. Tascam dr40 w/ built in stereo microphone. File information:48,000hz24bit wavstereo.
I generated this sound for a scene of a short video in which a zombie attacks my friend. It's a loud burst of roars and snarls, altered using audacity. I recorded myself doing my best zombie voice, then i lowered the pitch, boosted the bass, and added a phaser to make it more wet and added some feedback. I hope you find it useful!.
A sound effect of a toilet being flushed. I opened it with audacity and cut off some excess fade out noise after the flush. I also raised the pitch a little bit. Thanks for letting me waste your time!. P. S. I request that all my sound effects only be used for clean, appropriate media and projects. Thanks!.
I tried to make a friction drum by stringing a med handglove membrane to a wooden mortar. That mostly failed; i couldn’t control the pitch and make continuous sound. Here the membrane is stroked by a wooden pestle, making quite annoying sounds. Recorded with redmi note 5 phone, denoised and filtered bogus sub bass in audacity.
Cartoon whizz past, or slapstick fling something effect. Free for use anywhere, anyhow, any time. No attribution required. Three instances of the same sound effect. First instance has a rapid left to right pan. Second instance pans right to left. Third instance stays central. Cut 'n' paste whichever one of the three that you like best. Created with ni fm8 and son of a pitch vst inside flstudio 11. 04.
Recorded myself beatboxing at 87 beats per minute. I did three layers, then copied the whole thing, pitch shifted it and put it back in. Enjoy! use for whatever you like. This was just an experiment, so i didn't use a click track. Apologies for any timing issues.
A cataclystic, "buildup" sound effect resulted from extreme manipulation from two digital audio workstations - fl11 and reaper. The base sample was a public domain sound of a roland d50-esque sounding element which was heavily edited using volume-scaled automation, reverberation, pitch-shifting, transpositioning and trimming audio.
I was fiddling around with an analog synth that went into a peavey km50 keyboard amp and i made this soundit has loads of pitch editing giving it the house-ey feel to it and i think it was an fmaj5/9 chord with extra 6ths and 4ths.
A sound effect i made by recording myself roaring and then deepening the pitch with audacity. I hope you have fun with it!. P. S. I request that all my sound effects only be used for clean, appropriate media and projects. Thanks!.
I was just messing around with audacity recently and recorded a word "no". Then stretched it out using tempo stretch function (function that streches speed, but does not alter the pitch) maxed out twice in a row. That resulted in such a simple word stretched out to almost 5 minutes. Sounds rather scary and interesting.
From the eerie fx pack. See tags for some more detail. All sounds from eerie fx pack were actually ripped (using edison) from a highly modified version of my upload 'eerie fx full'.
Assymetric ticking noise. Sounds like the ticking of an analogue counter. A single clock tick was placed on two seperate tracks in order to control the time interval between ticks. One of the tracks was pitch shifted to create the sound of two, slightly different ticks. Both tracks pass through a tight chorus filter and a delay tap to recreate a slight sense of springiness and rattle as the "counter wheels" tick over. Created in flstudio with one audio clip, fruitydelay2, fruity fastdist, fruity parametric eq 2, fruity chorus and equo.
I fluttered a plastic spatula in front of my tlm-103 in the studio. It's recorded at 96k, 32 bits, so you can stretch it or pitch it any way you want. If you want it to sound small you'll want to filter off the low end. On the other hand, you can probably get some fun gigantic effects by using just the bass, or even pitching it down. This was for the moth wing flutter in "molly moth saves christmas":http://kidpodtheater. Com/molly-moth-saves-christmas/.
Recording of a courtyard garden fountain in the abbey gardens in bury st edmunds, suffolk. Recorded early on a sunday morning to minimalism unwanted sounds of people!. Recorded using a directional shotgun microphone into a zoom h4 recorder. Wind sock and hpf have been used to reduce rumble. This particular recording was of the second fountain which had a splashier, higher pitch sound. Fairly close and focused on the fountain.
A short alarm followed by a beep, which sounds like a missile locking system being used. To create this effect i sped up and changed the pitch of an alarm clock, and followed it by a beep from a tone generator, which created my desired effect. The alarm tone comes from the sound from this url: (http://www. Freesound. Org/people/playpauseandrewind/sounds/120526/#comments).
Algorithmic modular music program (man2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem -------------- man2_2019 --------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 if (lfo_2 = high) then goto 01 [= reset]03 rnd frq lfo_1 (run speed)04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)06 trg long env (vco_2): rnd pitch @ eoc (vco_2)07 trg long env (vco_3): rnd pitch @ eoc (vco_3)08 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)10 goto 01.
Algorithmic modular music program (man2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem -------------- man2_2019 --------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 if (lfo_2 = high) then goto 01 [= reset]03 rnd frq lfo_1 (run speed)04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)06 trg long env (vco_2): rnd pitch @ eoc (vco_2)07 trg long env (vco_3): rnd pitch @ eoc (vco_3)08 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)10 goto 01.
This is a sound make with this sound taken on this website :. 184598__qubodup__monster-roar. I took one of the monster very deep voice sound and tweaked it to sound like some kind of raging infected because i had to do it for a game. It's kind of like the sound zombies make in movies where they are not really zombies but raging infected people. I used : pitch shift, time shift, octaver, eq, overdrive.
This is me reading a list of numbers to type in to create a sonic effect on my computer. (think -514. 0001. ) i first reversed it and added reverb to it and reversed it again. Then i duplicated it two times and changed the pitch of the duplicates by five semitones up and down. Enjoy, and above all, don't be creeped out! made with audacity.
This sound is completely analog. I recorded the sound of a person who was walking on the street. I chose to leave the noise of the street so that we understand that the person walks outside. I used the effect "amplification" to reduce the noise of the street and increase the sound of step. I made a fade in opening and closing, so that we have the impression that the steps are moving towards us then moves away. At the same time, i played with the pitch of the sound to accentuate this effect. Descriptif selon la typologie de schaeffer :code : x''précisions morphologie :- masse : groupe nodal / complexe- timbre harmonique : terne- grain : rugeux- allure : ne comporte pas de vibrato- dynamique : l’attaque est douce et graduelle- profil mélodique : scalaire- profil de masse : le son paraît plus calibré.
Be carefull with the volume!!! i maxed out the eq and volume to get the most effect possible. . . Dont know, but it could be bad for your ears!! dont want anyone to get hearing problems. . . . :). Dare 26 spin-off. . . . Alienxxx processed a few samples out of sample:. Http://www. Freesound. Org/people/luckylittleraven/sounds/223075/. He wanted us to listen to the samples an tell if they were worse or not to the original samples. . So i just listened to a few samples and noticed something weird. . . On a few samples there is this very high pitch sound. . . Seems not everyone is able to hear this. . My girlfriend was listening with me and she didnt hear anything like this!!!to find out what was going on alienxxx suggested to run the samples thrue an eq to see what was going on. I used the following sample:. Http://www. Freesound. Org/people/alienxxx/sounds/234027/. I found out that there was a very high peak at 14,8khz around 14sec. And again at 20sec. After that i maxed out my eq at 14,8khz. Setting everything to maximize the peak that is so very very very annoying!!!. .
A mosquito ringtone 11kHz. Nice to put on your phones or computers and piss people off with. They wont know where the hell its coming from. Very high pitch ringing sound, sounds just like that ringing you get in your ear sometimes. Nice for pranks.
Generated in audacity, this sine tone has an elevated pitch with lowered gain to emulate a generic censorship tone you would hear on public television. The tone is suitable for use in any field, most notably in video games, films or animations. Whether it's comical, functional or both, this tone is a viable resource for censorship detail.
A digital sounding humming ringing noise, or a ringing humming sound. Not really sure how to describe this what this is, but i liked the way it sounded so i uploaded it. Sound is a paulstretched cello. Used audacity's pitch lower till it made that ringing noise. Was trying to make sound for ambient tracks.
Some ring mod pitch down sound that i found off an olde cd of sounds i created about a decade ago. Just added that lpf out down to shorten the sound. Arigato!. Check this sound out in spectrogram. بوذا الشفاء.
A re_edit of this sound::. Https://freesound. Org/people/mattc90/sounds/203532/. Put it in the sample machine of caustic 3. Pitched it to match 133 (for this break beat track im doing). Added a type of volume lfo, then also pitch-preserved it so it wouldnt be so high pitched.
An attempt to make an entire drum kit using only cymbal sounds. Cymbals were pitch-shifted, compressed, equalized, and subjected to other effects in order to make them capable of filling the roles usually occupied by actual drums. Hear them in action: https://soundcloud. Com/sonic_kitchen/amc001-cymballistix.
An internal gas combustion engine starting up, and then cutting grass as it moves across the lawn. The clip is recorded from an elevated vantage point about 25 feet directly above the lawnmower. In the background some lawn debris can be heard hitting the blade and getting tossed. The variable pitch motor slows as it encounters heavier grass. It is the first grass cutting of the season and, being on the west coast, the grass is very thick with moisture enhanced growth. The recording is made with a high quality stereo zoom h1n portable audio recorder. However, the. Mp3 setting was selected during recording to achieve a smaller audio footprint (for another use), melded to a mono channel, then exported to. Wav as the preferred format for this repository.
Class 52 “western” diesel-hydraulic locomotive, d1015 “western champion”, powered by two maybach md655 units (each developing 1,350 bhp). Recorded at cardiff central railway station, south wales, uk, 27 october 2007. Background station noises are also recorded, “western champion” is heard with the maybachs idling whilst the locomotive is at rest. The change in engine pitch is when “western champion” accelerates away from the station pulling a train of eight coaches. Recorded, hand held, using built-in microphone to a pentax opti 750z digital camera.
Variation of the loop from:http://www. Freesound. Org/people/maxndee/sounds/106962/. Placed each hit on beat of 125, then put it through a saw tooth transformer, then slight reverb and compression. Other little details like raising one side by 2 decibels to even things out. Also, arranged the rhythm according to a phrase i thought made some more sense, added a couple of variation percs of my own to fill in the gaps. Put either a different eq on them or changed the pitch. Enjoy.
The upload spree continues! this time i've got another sci-fi sound. The title says it all, folks. It can also be used for not only a robot malfunction sound effect, but a machine glitching sound perhaps. I made ti with a corrupt audio file. I got a part of it, and simply pitch shifted it down, and faded it out at the end.
2hp osc is fm modulating bermuda (using fm in). Pitch cv to osc is controlled by sloth and attenuverter. The bermuda tri output singnal is shaped by doepfer vactrol vcf. The vcf is modulated by sloth (cv in 1) and jerkoff (cv in 2). The noise it from dan, going to polivioks vcf. Polivoks is modulated by sloth. Output from vcf is going to vca controlled by another sloth.
A krell patch and short sample and hold tones. Okay even the krell gets pitch cv from a sample and hold. The short sample and hold tones are panned with help of chaos. I use two nlc sloth lfos to control the panning. The speed of the short sample and hold tones are controlled by two mixed lfos from bmc 2lfosh. Reverb from spring reverb and delay from an anlog delay stomp box. Please suggest some tags i should have used. . . !.
A synthetic bass multisample. I created it using the virsyn cube additive synthesizer (vsti). I applied some eq using the sonalksis sv-517 equalizer plugin. The sound was compressed by the sonalksis sv-315 and nomad factory blue tubes cp2s compressor plugins. All great quality plugs. The sound is a nice but rather static emulation of a bass guitar. Use your sampler's velocity and pitch bending options to bring this multisample to life. All samples in a 24 bit, 44. 1 khz resolution. Loop points were added for sustained notes.
Same patch as in electronic minute no 226 and 227 but on my real modular. I'm using a filter. Thats why i call this version subtractive. I'm subtracting harmonics from a square wave. Why are 226 blue? probably because i did it at work. . . Listening in bad earbuds. Makes you rise the bass. Lets see if i can make this wave ble at the end! i will slowly fade out the vco with high pitch. At the very end i'm switching the synth off.
A reel for the makenoise morphagene with each splice having two separate sounds with radical or subtle differences on the left and right channels. Great for stereo/split processing, a mix of tonal and atonal sounds made in ableton live with heavy use of madrona labs aalto and kaivo plugins. Additional plugins used:labs soft pianonasty dlasoundhack pitch delay and spectral compandtd tapewormu-he protoverb.
La Monte Young - Magic opening chord: E♭, E, F, A, B♭, C, D, E♭, E, F, G, A, B♭ = 2:3:7:9:21:63:567:189:567. The opening chord (left), E, F, A, B♭, D, E, G, and A, and the magic chord (right), E♭, B♭, C, E♭, F, B♭.
For best experience, make sure you:. * don't look at the sound waves (the sound display) at all!* are in a pitch black dark, closed room. * immerse yourself. --------------------------------------------------------------. I know that we will one day discover something unusual out there. A "strange jungle" is nothing compared to what we will discover one day. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.
Recorded by britt sandusky, master falconry dude. Falconry bells, which attach to a hawk’s legs, provide the falconer with information about their bird of prey. They can help locate the bird’s location, let the falconer know if the bird is active or stationary, and signal the falconer if the bird is near a predator. Falconry bells come in multiple shapes and are made from metal. Nickel, silver, brass, and bronze are all common materials used for falconry bells. Both the shape and the metal type impacts a bell’s sound quality, along with its pitch, tone, volume, and durability. Oftentimes, individual falconers will have a preference in material type based on which pitches are the easiest for them to hear.
Wrote/recorded a free dance tune at 120bpm using ableton live 9. The notes revolve around: c, g, d, e, dableton stock drum rack w/ stock samples for the percussion section. Mod amp sine bleep for the side toms. Ableton stock grand piano for piano. Muggy stock plugin for the synth-like parts w/ pitch bends in the midi. Synth1 vst64 for the long sustaining notes during the rhythm synth parts. Other notes about this recording:-14. 0 lufs integrated. -1. 4 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmack. Youtube. Com/bainmack.
